news, views & musings

Larry and I

by robmyles on April 14, 2012

I have been working with LA-based rockstar photographer Larry Perez on several small projects of late, focussing on the psychology of sales and entrepreneurship. He recently put his thoughts on our collaboration in his own words:

Hiring Robert for the creation of content as part of our consulting business has been one of the best outsourcing decisions we’ve made. He took the time to understand exactly what our needs were and made it very simple for us to delegate the projects out to him with confidence.

His most glaring strength, and one that we find really exciting, is his ability to take our content to new levels. We knew exactly what we wanted and expected him to complete projects based on our standards. That didn’t happen. He delivered the content complete and on schedule, but on a level above and beyond what we were expecting.

Robert’s knowledge and research was a welcome addition, and we have decided that Robert is a perfect fit for our growing company and has much to offer. Now we are in the process of structuring a larger project together, one that we could not have completed without the quality he provides.

We will continue to work together with Robert as he has turned an otherwise daunting task into something very valuable for all involved. 

One last thing… his communication strengths are all 5-star in our eyes. This quality is very difficult to find. The bottom line is:

Hire him. You will be extremely satisfied in all aspects of your project.

Larry is developing a course for Photographers to help them get their artistic minds around the business-end of the industry, and I’m working with him to flesh out, formalize and finesse the concepts he often talks about in Webinars and on his Blog.

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? What If ! Innovation

by robmyles on April 4, 2012

Excellently named Sarah Peachey works with ? What If ! innovation as a Producer Team Assistant. She put out the bat-signal for young creative writers, and set a challenge, “In the next five minutes, give me the story behind New Bohemian Whiskey.”

I wrote:

New Bohemian Whiskey was created after the now long-forgotten Riot Of Bohemia in 1867. Bohemian Whiskey (now known and reviled as Old Bohemian Whiskey) was said to be largely responsible for the riot, causing drunken debauchees to debase themselves in public, leading the more puritanical aspect of Bohemian society to violence. The mayhem lasted for three days, and culminated in the burning down of Ye Olde Bohemian Whiskey factory. 

Bohemians, known for their open-mindedness and love of novel ideas, brought together a counsel to discuss what they should do. Montgomerie Von Boheme -a bohemian Bohemian and inventor- suggested they looked toward at the riot not as a disaster, but as the discovery of an extraordinary property of their Whiskey: it could affect people’s personalities when they drank it.

And so to the castle on the mountain top, where with an infusion of Barley, Lightning, Mad Science, Trial, Error and Shenanigans, Von Boheme enacted a series of experiments in balancing the various properties of Whiskey to make the drinker more intelligent, sophisticated, open-minded, genteel and humorous. 

A year later he had perfected his Whiskey, and thus New Bohemian Whiskey was born. To this day, it promises to be the Artisan’s Choice and is a sumptuous sobriquet for social lubricant.

Sarah passed on my efforts, and got back to me saying they were excited to offer me the role. I was delighted, and had the opportunity to work with ? What If ! on backstory and brand development for one of the most prestigious whisky labels in Europe.

Over the course of a 19 hour day, I travelled to the capital to participate in workshopping and idea generation, brand development and conceptual development in an attempt to bottle the zeitgeist and sell it back to a generation who see Whisky as an ‘old person’s drink’. I’m looking forward to seeing the results, and had a great time working with such likeminded, proactive people.

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Love’s Labour’s Lost

by robmyles on March 28, 2012

The relocation of Shakespeare’s Love’s Labour’s Lost to the 1950s American College campus was one of the many changes made to Shakespeare’s early comedy, dubbed “respun, reshaken and remarkable”:

The play itself is an intriguing one, constantly playing with expectations and comically upsetting them, both for the characters within it and the audience watching. It comes as a surprise to many sat in the auditorium when “Jack hath not Jill” at the curtain call. But that’s getting ahead of myself.

Berowne mistakenly reclaiming his machismo with the Princess

I played Berowne, one of the frat boys [usually, lords] in Ferdinand’s frat [usually, court]. After failing our first year exams, Ferdinand has the bright idea (as so many American Youths do if movies are to be believed) to make a pact. No more chasing girls, no more eating, no more sleeping- only study.

Berowne is the most reluctant of those who sign up for this foolhardy plan, and from the outset looks to cheat his way out of it while pulling the wool over the eyes of his fellow students.

Little does he know they’re all at it as well, as is revealed in one of the best scenes in the play, when the boys unknowingly confess their love to an increasingly large and badly hidden audience of their peers.

The show was trimmed of all the Latin jokes and other flamboyant complexities that often made for stumbling blocks to audiences. The lean, streamlined result was a bobsleigh ride requiring immense energy and enthusiasm, and after the first big push we found ourselves carried through the twists and turns and sweeping the audience up with us.

The rehearsal process was similarly streamlined, and working with actors who were approaching Shakespeare for the first time allowed me to share my passion for it and help them get to grips with the forms and approaches I’ve found most useful.

The character was a dynamo, and I found my performance getting more and more physical. I threw myself into superman dives over furniture, powerslides across the stage, and leapt headlong into auditorium as we finally resolved to woo the girls once and for all.

It came together with typical panache, and the ever-gathering momentum even gave me the chance to talk about Shakespeare on BBC Radio Sheffield. Sell-out performances ensued, and we left it all on the stage, in what has to be one of the most enjoyable experiences of my acting life.

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This year, as last year, I’m a practitioner with Open Minds Theatre Company on their Youth Shakespeare Festival. Conducted in association with RSC, it is the largest of its kind in the UK.

I will be working with four classes across two schools, aged 8-16, to create a vibrant, contemporary version of The Merchant of Venice. My role is of a holistic creative consultant: to supervise the production, to nurture the ideas and aims of the teachers, inspire the children involved through creative workshops and teach key skills for performance and textual analysis.

Merchant of Venice will be set in the here and now, amidst the depths of the financial crisis:

Antonio, an investment banker, has all his capital tied up. His ships are at sea. Young Brassanio, his adoptive son, cannot wait for Antonio to reclaim his investments, for he hopes to win the craziest reality TV show of all time: a winner-takes-all competition for the hand of the deceased media mogul Belmont’s daughter and sole heiress, Portia.

Together they must journey into the underworld and mix with the oppressed of society in order to secure the money to pay for Brassanio’s golden ticket. Antonio, reviled by the kingpin Shylock, can have his money, but should he fail to pay it back, there will be a deadly price- one pound of flesh.

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(Deceptively Cold) Bavaria Sponsors Benidorm

by robmyles on March 15, 2012

I couldn’t help thinking, turning up for the shoot, that had we known the swimming pool would be iced over and the verdant green covered with four inches of snow, we would have had a Bavaria advert a little bit closer to the Coors Light commercial that froze Van Damme’s ‘pants’.

Driving at 5am in the morning in thick snow in an underpowered vehicle is actually something of a speciality of mine. I did it all too often during my time in rural Japan. Conquering that challenge was child’s play compared to spending the day wearing swimwear in sub-zero temperatures.

We toughed it out, and to their credit, Equinox did a tip top job using tactical framing, sun-scaled lighting rigs and complimentary white-balance to create a flawlessly tropic effect for the adverts, which you can see here.

You likely imagine I’m exaggerating the hail that was assailing my back as I stood at that bar for those shots, and that’s why you should take a look at the making of:

Hats off to the models who had to endure the hoth-like chill in bikinis.

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Malice Striker Hits Harper Collins

by robmyles on February 23, 2012

In November of 2010, I spent two weeks writing. The result was ~100,000 words of an action adventure novel following Alrik Olvirson, the last Viking, on his journey out of exile in search of a cure for the Black Death.

Exactly a year on, in November of 2011, my book was selected by the Authonomy community for review by publishing house HarperCollins. You can go there and see the shiny medal it received, as well as read an excerpt of the book for free.

Now, HarperCollins have sent me their initial impressions, and importantly, have requested the full manuscript for consideration to be published.

This is a huge step forward in the journey toward publication, and I am confident that they will see the potential the book has to be a commercial success as well as a worthy original property in its own right.

Here is just some of what they had to say:

“Alrik, though a stoic barbarian figure, is a compelling protagonist, largely because he is a mythological figure in a new Europe he does not quite understand. He is powerful because of his hardened warrior ways, yet vulnerable to trickery and deceit in the complex, bustling cities ravaged by plague.

His quest – to find a cure for the Black Death – has a desperate edge to it, and we root for Alrik due to his stubbornness and drive as much as his children.

Indeed, characters are for the most part strong – Parsifal is the perfect contrast to Alrik, and allows you to play with subtlety, science and atheism, which add much needed depth to the journey.

Enemies are nicely sketched with positive attributes to make them compelling – Charles may be a fanatical Templar, but he doesn’t lack for bravery. The Bishop alternates between pious and broken, world-weary and prideful – mixed with his genuine concern for Charles after the duel. If anything, my strongest reaction to him was one of pity. I hope the ruler of Milan (who, fingers crossed, certainly is in league with dark magic!) is similarly complex and intriguing.

Overall, I loved the story so far and would be very interested in seeing the rest of this manuscript…”

The book also has its own trailer below, website and facebook page, so feel free to Like it for updates.

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Good friend and polymath Dr Kay Guccione invited me to be part of her presentation masterclass at the University of Sheffield, where I am reliably informed she trains the best researchers in the world.

I was looking forward to sharing the plethora of knowledge on engagement, body language and verbal communication I’ve learned through my background in Psychology, that I’ve sinced honed in my acting.

“Bossanova!” I said, a pidgin term for excellent understood by a select few (and now you).

“I want you to give one of the worst presentations of all time,” she then explained. After a moment’s bafflement, I realised the potential. This would be inordinate fun.

Giddy as a school boy, I read Kay’s concise-but-thorough brief on what she wanted from me, and we made our way to the masterclass.

Upon my introduction, I objected to the idea that I would give a “five minute” talk, having prepared forty five minutes of material (Kay’s craft background didn’t come into play this time and no sticky-back plastic was harmed, as my comically verbose powerpoint presentation was all I had with me, practiced the evening before for maximum self-assurance).

Turning my back to my audience, I began to read word for word from a set of power-point slides too small for my audience to read, in double-quick time. I rattled off my specialist terminology and occasionally peppered the complex subject matter with off-colour anecdotes. I made sure to use words like “obviously” when explaining intricate procedures, and chided the “imbeciles” who had previously opposed my hypothesis, before I had this data to rub in their faces.

By the end, Kay was the only one who dared ask a question (through gritted teeth to prevent from laughing), and I quickly and dismissively put her in her place.

Though I as a person hadn’t the faintest idea what she’d even asked me about the research [which was hers], I as Dr Robin Styles was not to be trifled with.

Our mutual friend Julie Wilkinson then stammered, shuffled and almost cried her way through a primary-school level exercise in unintentional condescension, and we sat back to see what those taking the masterclass had to say.

After the initial rollocking we took for our poor performance, and me in particular for my less-than-friendly attitude, the epiphany took place and those attending began to unstitch the proactive ways in which they could improve their own presentation skills by avoiding the negative trappings we displayed. I was given a copy of some of the raw feedback from the day, indicating that indeed, they’d gotten a lot out of it:

• feedback on presentation/actors presentation – brilliant
• actors coming in was great
• questions and answers at the beginning. actors
• actors, feedback on presentation
• tips for presentation style. How to get over nerves (importance of preparation). Feedback on my presentation, actors
• the actors, thinking about how you present yourself.

Kay herself had this to say:

Rob had great enthusiasm for the project when I told him about it, and he really bought into the character and put a lot into it, above and beyond what I’d anticipated. He’d done a lot of prep on his own initiative, which was great for someone as busy as I am. As well as being very funny, his disastrous presentation was very convincing to staff and students. It was obvious from what choices he made that he knew what best practice is, and went precisely in the opposite direction to highlight it. Just what we were hoping for.

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The Deserters

by robmyles on December 14, 2011

Recently I met up with my South African martial artist friend Peregrine Dace for the first time since working together in Japan three years previously. While there, we had both worked with Testuro Shimaguchi‘s Kamui Samurai Dojo on Japanese screen combat. Now Perry was in the UK, it was time to work with Independent Drama‘s Ronin Traynor on something a little more European. I asked Director of Photography Andy Little if he would be interested in filming this experiment, and luckily for us, he was. That left us the small matter of having a two day window to devise, choreograph and shoot this two and a half minute short, “The Deserters.”

Travelling a hundred and fifty miles from London to the Peak District, stopping off to pick up some costumes kindly provided by The Lantern Theatre, Sheffield, we took up arms near Langsett Reservoir and prayed for the weather to hold. It did, just about. So we slid around on the morning dew, I almost broke Perry’s thumb and he stabbed me in the groin. The results of which you can see above.

Very excitingly, the short has earned hundreds of views in the week since we uploaded it. I would love to be able to produce more of this kind of thing, so I’ve opened the doors to crowdsourcing. If you’d like to donate One English Pound to helping me develop a pilot for an action packed drama based during the inception of the English Civil War, then please click the button below. Your pound will then be used to help us produce something more ambitious, with mud, blood and a story of deadly intrigue amid a national uprising.

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Doncaster Minster Fundraising Concert

by robmyles on December 14, 2011

I was fortunate enough to be involved in the organisation of a fundraising concert for Doncaster Minster, featuring the incredible talents of Mishaped Pearls and Martin Aelred. Above is a highlight reel from the night.

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Anna Karenina

by robmyles on December 14, 2011

Tolstoy is heavy material, and Anna Karenina is Weighty with a capital W, both in volume and impact. It is a romantic tragedy that burgeons amid a sprawling social commentary on the realities of high society, passion, truth, hypocrisy, the relationship between humanity and nature, and perhaps fundamentally ‘unhappiness’ (which features in the opening line of the novel).

Photo © Tiff Lashley

Vronsky seduces Anna as her husband Karenin tries to reason with her.

Naturally then, when I received a message from a friend asking if I’d be interested in auditioning, it felt like a very different kettle of fish from the season of comedies I had just finished. Talking with director Jane-Eve Straughton about the project over the phone, I couldn’t help but be swept up by her enthusiasm and the team she’d assembled. [read more…]

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